CINEMATIC EXPERIMENTS WITH ARTIFICIAL INTELLIGENCE: EXPLORING THE EXPRESSIVE AND ACTIVIST POTENTIAL OF AI FROM AN ARTS AND HUMANITIES PERSPECTIVE
Date: Friday, April 9th, 2021. Time: Noon (EST)// 5pm (GMT)
VIMEO LINK FOR THE SYMPOSIUM RECORDING: https://vimeo.com/540255582
REGISTRATION & MORE INFORMATION: https://tisch.nyu.edu/cinema-studies/events/spring-2021/cinematic-experiments-artificial-intelligence
12:00-12:15pm EST// 5:00-5:15pm GMT
- Marina Hassapopoulou, Symposium and artists’ introduction, “Back to the Future: Early Cinematic Experiments with Artificial Intelligence”
12:15-12:45pm EST // 5:15-5:45pm GMT
- Lynn Hershman Leeson, “Lessons from the Cusp of Disasters”
12:45-1:15pm EST // 5:45-6:15pm GMT
- Toni Dove, “Embodied Machines”
1:15-1:45pm EST // 6:15-6:45pm GMT
- Paul Vanouse, “The History You Deserve”
1:45-2:00pm EST // 6:45-7:00pm GMT
Lynn Hershman Leeson
Over the last five decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her art and films. Cited as one of the most influential media artists, Hershman Leeson is widely recognized for her innovative work investigating issues that are now recognized as key to the workings of society: the relationship between humans and technology, identity, surveillance, and the use of media as a tool of empowerment against censorship and political repression. Over the last fifty years she has made pioneering contributions to the fields of photography, video, film, performance, artificial intelligence, bio art, installation and interactive as well as net-based media art. Lynn Hershman Leeson is a recipient of a Siggraph Lifetime Achievement Award, Prix Ars Electronica Golden Nica, and a John Simon Guggenheim Memorial Foundation Fellowship. In 2017 she received a USA Artist Fellowship, the San Francisco Film Society’s “Persistence of Vision” Award and will receive the College Art Association’s Lifetime Achievement Award.
Her six feature films – Strange Culture, Teknolust, Conceiving Ada, !Women Art Revolution: A Secret History, Tania Libre, and The Electronic Diaries – are all in worldwide distribution and have screened at the Sundance Film Festival, Toronto Film Festival and The Berlin International Film Festival, among others. She was awarded the Alfred P. Sloan Foundation Prize for writing and directing Teknolust. !Women Art Revolution received the Grand Prize Festival of Films on Art.
A retrospective of Lynn’s work, “Lynn Hershman Leeson: Twisted” will open at the New Museum in July, 2021.
Her website is: https://www.lynnhershman.com
Toni Dove is a New York-based artist. Since the early 1990s, she has produced unique and highly imaginative embodied hybrids of film, performance and virtual reality. In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion sensing to “perform” on-screen avatars.
Presented in the United States, Europe and Canada as well as in print and on radio and television, Dove’s projects include: Archeology of a Mother Tongue, a virtual reality installation with Michael Mackenzie, Banff Centre for the Arts. An interactive installation, Artificial Changelings, debuted at the Rotterdam Film Festival, part of the exhibitions: ‘Body Mécanique’ at the Wexner Center for the Arts, Ohio; at the Institute for Studies in the Arts at Arizona State University International Performance Studies Conference.
Her most recent project is an interactive cinema and robotics installation, The Dress That Eats Souls, that has been presented as part of a retrospective of Dove’s interactive work at The Ringling Museum in Sarasota Florida in 2018.
Her website is: https://tonidove.com
Paul Vanouse is an artist working in emerging media forms. Radical interdisciplinarity and impassioned amateurism guide his practice. Since the early 1990s his artwork has addressed complex issues raised by varied new techno-sciences using these very techno-sciences as a medium. His artworks have included data collection devices that examine the ramifications of polling and categorization, genetic experiments that undermine scientific constructions of race and identity, and temporary organizations that playfully critique institutionalization and corporatization. These “Operational Fictions” are hybrid entities–simultaneously real things and fanciful representations–intended to resonate in the equally hyper-real context of the contemporary electronic landscape.
His website is: https://www.paulvanouse.com
Marina Hassapopoulou is Assistant Professor in the Department of Cinema Studies, at Tisch School of the Arts, New York University (NYU). Her forthcoming book, Interactive Cinema: The Ethics of Participation and Collectivity in the Era of (Dis)Connection, focuses on cross-cultural participatory multimedia experiments at the intersection of cinema and technology, and develops new sociopolitical frameworks for spectatorship in the digital age. Alongside research and teaching, she is involved in open-access and non-profit initiatives that aim to create more inclusive and diverse opportunities for activist and creative tech practices within and outside the academia. She is the recipient of an International Research and Collaboration Award by the University of Cambridge, and this symposium is part of her proposed project to create more diverse and inclusive paths for AI creative and socially impactful practices. Her website is: https://marinahassap.wordpress.com