Work in progress
Online Archives and Databases
“Creative A.I. Lab” https://creative-ai.org/
Edinburg Futures Institute database https://efi.ed.ac.uk/activity-and-partners/
“Experiential AI”- Edinburg Futures Institute https://efi.ed.ac.uk/activity-and-partners/experiential-ai/
NYU “AI Now” https://ainowinstitute.org/
Columbia Storytelling Lab http://www.digitalstorytellinglab.com/
“A Is for Another: Dictionary of AI” https://aisforanother.net/index.html
MIT Docubase https://docubase.mit.edu/?s=Artifical+intelligence
Harvard metaLab https://metalabharvard.github.io/
Java Museum http://www.javamuseum.org/
Experiential AI Twitter https://twitter.com/experientialAI
AiLab Twitter https://twitter.com/_AiLab
Whitney Museum of American Art database https://whitney.org/search?q=artificial%20intelligence
Critical Commons AI archive https://criticalcommons.org/search?q=artificial+intelligence
Forensic Architecture https://forensic-architecture.org/
AI Art Gallery http://www.aiartonline.com/
21st Century Digital Art http://www.digiart21.org/
Exhibitions and Events
“Histories of Artificial Intelligence: A Genealogy of Power” Seminar 2020-2021 https://www.hps.cam.ac.uk/research/projects/histories-of-ai
E-flux “True Fake: Troubling the Real in Artists’ Films/ March 2021 https://www.e-flux.com/announcements/376351/true-fake-troubling-the-real-in-artists-films/
“Programmed: Rules, Codes, and Choreographies in Art, 1965-2018” at Whitney Museum 2019 https://whitney.org/exhibitions/programmed
Exhibition on the Experiential’s collaboration with Ogilvy and IBM Watson: AI created portraits https://thexperiential.com/project/hidden-portraits/
“Thinking Machines: Art and Design in the Computer Age, 1959-1989” at MoMA 2018 https://www.moma.org/calendar/exhibitions/3863
“Left and Right, or being who/where you are” CultureHub 2021 https://www.culturehub.org/re-fest-2021-events/left-and-right-or-being-who/where-you-are?mc_cid=b2bdd85353&mc_eid=6954e7344e
“The New Real: AI and art, the future is now” by Edinburg Futures Institute, 2021 https://www.eventbrite.co.uk/e/the-new-real-ai-and-art-the-future-is-now-tickets-143824405669
2018 Sundance Panel on AI filmmaking: http://history.sundance.org/panels/1266
“IBM X Watson: Hidden Portraits” https://thexperiential.com/project/hidden-portraits/
“Technoimagination” 2019 Korea Media Arts Festival in NYC http://www.kmaf.us/
Art and Artificial Intelligence 2019 Open conference https://zkm.de/en/event/2019/05/art-and-artificial-intelligence
“Uncanny Valley: Being Human in the Age of AI” de Young Museum 2020-2021. https://deyoung.famsf.org/exhibitions/uncanny-valley
“Further Experiments in Art and Technology” https://furtherexperiments.rhizome.org/
“Unfolding Intelligence: The Art and Science of Contemporary Computation” 2021 symposium at MIT Center for Art, Science and Technology(CAST) https://unfoldingai.mit.edu/
“Generative Unfoldings” curated by Nick Montfort in conjunction with MIT CAST’s symposium “Unfolding Intelligence” (2021) https://generative-unfoldings.mit.edu/
“In Our Image: Artificial Intelligence and the Humanities” 2021 National Humanities Center’s virtual conference and online art exhibition series https://nationalhumanitiescenter.org/in-our-image-ai-humanities/
NYU and University of Cambridge “Expressive AI Symposium” https://vimeo.com/user5490513
“Digital Consortium: The Hitchhiker’s Guide to Artificial Intelligence”, an archive of lecture series organized by DigitalFutures.
Barker, Tim. “Objects and Interaction.” Digital Creativity, 22:2. 65-77, 2011.
Benjamin, Ruha. Race After Technology. Cambridge: Polity Press, 2019.
Betancourt, Micahel. Force Magnifier: The Cultural Impacts of Artificial Intelligence. Wildside Press, 2020.
Betancourt, M. (2021). A Note on AI and the Ideology of Creativity. Academia Letters, Article 328.
Broussard, Meredith. Artificial Unintelligence: How Computers Misunderstand the World. Cambridge, MA: The MIT Press, 2018.
D’Ignazio, Catherine, and Klein, Lauren. Data Feminism. Cambridge, MA: The MIT Press, 2020.
Dieter Mersch, “(Un)Creative Artificial Intelligence: A Critique of ‘Artificial Art’ “
Ekbia, Hamid R. & Bardi, Bonnie. Heteromation, and Other Stories of Computing and Capitalism. Massachusetts: MIT Press, 2017.
Eubanks, Virginia. Automating Inequality: How High Tech Tools Profile, Police, and Punish the Poor. St. Martins Press, New York. 2018.
Goldberg, David T. “Coding Time,” Critical Times 2, no. 3 (2019): 353–69.
Hassapopoulou, Marina. “Reconfiguring Film Studies Through Software Cinema and Procedural Spectatorship.” NECSUS European Journal of Media Studies, 3:2. 2014.
Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.
Hicks, Mar. Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing. Cambridge, MA: The MIT Press, 2017.
Hillis, W. Daniel. The Connection Machine. Cambridge, MA: MIT Press, 1985.
Houser, Kristin. “the Oscar for Best Visual Effects Goes to: AI.” Futurism. March, 2018. https://futurism.com/visual-effects-ai-arraiy
Joshi, Bhautik, Stewart, Kristin & Shapiro, David. “Bringing Impressionism to Life with Neural Style Transfer in Come Swim.”DigiPro ’17: Proceedings of the ACM SIGGRAPH Digital Production Symposium. Article No.: 5 , 2017, pp. 1–5. https://doi.org/10.1145/3105692.3105697
Manovich, Lev. AI Aesthetics. Strelka Press, Mocscow. 2019.
Manovich, Lev and Kratky, Andreas. Soft Cinema: Navigating the Database. Cambridge, MA: The MIT Press, 2005.
Mateas, Michael. “Expressive AI: A hybrid art and science practice.” Leonardo 34.2 (2001): 147-153.
Mateas, Michael. “Semiotic Considerations in an Artificial Intelligence-based Art Practice.” Dichtung Digital: Journal on Digital Aesthetics, 2003.
Michael Mateas and Phoebe Sengers (Eds.), Narrative Intelligence. Amsterdam: John Benjamins. 2003.
McIlwain, Charlton. Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter. Oxford University Press, 2019.
McVeigh, K. Margaret. “Making the Connection: Lev Manovich’s Texas and the Challenges of Interactive New Media Narrative.” Digital Creativity, Vol 22, 2011.
Noble, U. Sofia. Algorithms of Oppression: How Search Engines Reinforce Racism. New York University Press, New York. 2018.
Rees, Tobias. “Machine/Intelligence: On the Philosophical Stakes of AI Today,” Beyond the Uncanny Valley: Being Human in the Age of AI (Fine Arts Museums of San Francisco, 2020).
Robitzski, Dan. “Artificial Intelligence Is Automating Hollywood. Now, Art Can Thrive.” Futurism. July 2018. https://futurism.com/artificial-intelligence-automating-hollywood-art
Shaviro, Steven. “Actual Entities and Eternal Objects.” Without Criteria: Kant, Deleuze, and Aesthetics. University of Minnesota Press, 2014.
Skorburg,Joshua August, Sinnott-Armstrong, Walter and Conitzer, Vincent. “AI Methods in Bioethics,” AJOB Empirical Bioethics 11, no. 1 (2020): 37–39.
Schröter, Jens. “Artificial Intelligence and the Democratization of Art.”
Thiel, Tamiko. “The Design of the Connection Machine.” Design Issues, Vol.10, 1994.
Vensa, Victoria editor. Database Aesthetics: Art in the Age of Information Overflow. University of Minnesota Press, 8th edition, 2007.
Wong, Şerife (Sherry). AI Justice: When AI Principles Are Not Enough,” Medium, August 5, 2019.
Youngblood, Gene. “Cinema and the Code.” Leonardo. Supplemental Issue, vol. 2, 1989, pp. 27–30. JSTOR, http://www.jstor.org/stable/1557940.
Zarkadakis, George. In Our Own Image: Savior or Destroyer? The History and Future of Artificial Intelligence. Pegasus Books, New York. 2015.
Zehner, Brett. “Machines of Subjection: Notes on a Tactical Approach to Artificial Intelligence.” Machine Feeling, Vol 8:1, 2019.
More bibliography on A.I. Histories: Community Bibliography from University of Cambridge
More resources presented by “In Our Image: Artificial Intelligence and the Humanities” conference (2021): https://nationalhumanitiescenter.org/in-our-image-ai-humanities/